3 types of Injuries
Stage Combat
Stage combat can be a very dangerous technique in any types
of drama studios. If your attention is not with 100% with what you’re doing
then there is a high risk of injuries. Paying attention to your partner is
rather important as you will be telling each other what to expect and slowly go
through how you will do it. If you was to pretend to punch someone in the face
and you accidently end up hitting them for real and have hit them with a bit of
power. The best treatment for them is to sit down on a chair and have an
icepack. This will help slow down any swelling that could happen and it can
also help pain relief.
Set and Props
When moving large parts of set around, be sure to have at
least 3 to 4 people with you at all times. This is to help support any heavy
objects that will be moved. 3 to 4 people are suggested so the weight of the
object is spread out evenly and therefore means it’s not so heavy. An injury
that could occur is that a panel or a prop could fall on you and leave you
stuck of could fall on you and still leave you bruised or cut. Having people
there to guide you is a way that you can restrict an injury from occurring and
also it can having some sort of ice cooler will help any swelling that may
occur.
Physical Theatre
A key health and safety element to physical theatre and a
way in which you can reduce any injures is to make sure you are paying full
attention, just like stage combat. However with physical theatre you need to
make sure you have rehearsed any lifts or certain types of movement before
trying it. The best idea would to be planning each piece of movement step by
step. Making sure that the actor knows what is going on and who they are
relying on. There are many things that can go wrong, like someone being dropped
in a lift. A way to prevent this by ensuring that the person who is being
lifted is always placed down feet first. Any other way could be dangerous and
could result in injury. A way to deal with an injury in physical by making sure
that there is always someone (aq director) watching so that if someone is
injured, they can examine the actor and ensure that nothing is wrong.
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