What is post war?
Post war is a period that occurs after a war. It’s more popular as pieces of drama tend to place them either between World War 1 and 2 (Interwar Period).
“Occurring or existing after a war (especially the Second World War).”
ENSA (entertainment national service association)
Was formed by Basil Dean and Leslie Henson in 1939. The purpose of having this entertainment company was ensure that soldiers that were fighting the war had a good use of entertainment.
The first overseas show took place in Douia, France, 15th November 2015. And the final show was in July 1946.
Problems with post war theatre
After a short period of time after the war theatre really struggled to maintain it’s position. This was because more and more actors were moving into the TV and Film industry which meant that there were less and less actors going into theatre.
Another issue that was faced in the post war era, is that many theatres were involved with “Subsidised theatre”. Subsidised Theatre is when there is no profit coming through to the company and is runs by funds given to them by Patrons. (Head patron is British government).
Plays/Musicals from Post War
• In America, post war theatre was becoming a rather big trend after world war 2. This is when playwrights from Arthur Miller (a view from a bridge) and Tennessee Williams (Cat on a hot tin roof).
• Some the plays were so big that they broke their own previous records. These plays were:
• West Side Story (1950’s)
• A chorus line (1975)
• Jean Littlewood – Founder of Theatre workshop
• Brian Way (Theatre in Education)
• Richard Todd – Casted in For Them That Trespass (1949).
• Norman Wisdom
• Sir Alec Guinness (Obi – Wan – Kenobi)
• Lenny Bruce
• Marcel Marceau
Staging in post war
• Proscenium Art/Ends On (most common)
• Thrust/Arena (semi circle like)
Techniques
• “Brecht’s term ‘Verfremdungseffect’ is often translated as ‘alienation’, It’s aim is to make the characters decisions and choices explicit and to stop the audience having any delusion that they are witnessing a ‘real’ scene.”
• “Epic Theatre assumes the purpose of a play is not about the imitation of reality but to present ideas. The audience should always be aware it is watching a play and should remain sufficiently emotionally detached.”
• “Epic theatre strived to avoid any sense of suspense. Brecht didn’t want his audience to be trying to guess what was going to happen in a scene, he wanted them to struggle with why things that happened in a scene happened. In his productions many scenes were introduced with a projected title or a brief song which would give a clear description of what was going to happen in the scene.”
All information found at: http://www.birmingham-rep.co.uk/participate/resource-packs/rep-insight-a-life-of-galileo/brechts-theatre-techniques/
How post war changed theatre
• Post war drama has really had a massive affect on drama in modern day theatre all thanks to Brecht.
• We have plays or musicals that allow actors to be playing as children when really they’re fully grown men or another technique is that an actor will have an object and when placed or given to another actor, they become the person associated with the object.
• Post War isn’t as popular as it once was. However, it is still a rather well known type of theatre as it is rather rare to come across post war subjects